Songs like “ATTACK” and “The Kill” highlight the irritating screaming and overall banality of the majority of the music. As Leto screams “Bury me, Bury me!” on “The Kill,” an image of a long buried Incubus B-side is recalled. The final official track, “A Modern Myth,” shows a band almost forcing themselves to sound melancholy and introspective, right down to the clichéd swelling strings, hackneyed music, be damned.
However, when 30 Seconds to Mars chooses to cut loose (whether intentionally or by chance of some musical talent rising to the surface), they create some expertly crafted harmonies and melodies, which give off a feeling of floating in a dream. The slick production aids in this, making everything sound incredibly clear, but using enough low-key keyboards to keep things off center. “Was It a Dream?” and the downright soaring and emoting chorus of “The Fantasy” show what a modern alternative band can really do (and the Sting sounding callback in the background doesn’t hurt either).
With their sophomore release, 30 Seconds to Mars still shows a rut of convention, conforming against themselves. However, when they do break free, the result is some incredibly good music.